In part two of our report on shooting sports, Robert Keeley says understanding when to use certain techniques and accessories, and when to avoid them, is a key element to improving your sports photos.
Once you have a good understanding of how to search out basic sports photos, and you are comfortable around the sporting environment, you can start to look at more creative techniques and angles. Consider these options.
1. TRIPOD
If you have a tripod or monopod be sure to bring it along. Camera shake is magnified at long telephoto settings and a steady platform will help you get sharp shots, particularly if the light is poor. If the light is good though, don't be afraid to handhold your camera. This will allow you to move around quickly to reposition yourself.
2. SHUTTER SPEED
Most sports are best captured by freezing the action, which will require faster shutter speeds – anything from 1/250s upwards will freeze fast action (depending on the speed of the sport), but remember that when combined with telephoto zoom lenses, depth of field can become quite shallow. It's worth noting, though, that slower shutter speeds (generally 1/60s or slower) can also sometimes work by allowing you to blur action, and imply the rush and excitement of an event.
3. INSPIRATION & IDEAS
Once you have a handle on shooting good images of your local sporting events, it's worthwhile searching out further inspiration and ideas. Check out the sports sections of local, state and national newspapers, as well as websites which present sports images. Locally, some top Australian sports shooters include Steve Christo, Tim Clayton, Craig Golding, Sebastian Costanzo, Michael Dodge and Adam Pretty. Then think again about the images you are making. Look for more unusual images, think about photographing trainers, crowds and spectators, and consider images of items like equipment. They are all part of the mosaic of sporting action, and can add another level to your sporting portfolio.
To read more about shooting sports see Australian Photography magazine's August issue.
With more experience you can start to look for more unusual angles. Image by Robert Keeley.
