Photographer Jarrad Seng releases new project, 'The Story of Scars'

7 December 2021
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Canon ambassador Jarrad Seng has launched a new project, The Story of Scars.

The project is designed to showcase human connection - where the subject’s scars are 'the connecting point between their individual stories, looking deeper than just the marks that they carry.'

Jarrad is the first of Canon Australia’s newly announced Ambassadors to release his own unique work, and will soon be followed by Kate Cornish, James Simmons, and Bonnie Cee.

“This project serves as an opportunity to get back to why I became a photographer in the first place”, says Jarrad. 

“The last few years have really challenged the way humans connect, but over the course of this project, I’ve had the chance to capture and connect with people through the lens of a camera.”

The project features 11 subjects; Brad Ness, Michelle Powell, Esther Onek, Amanda Oliver, Brian Bush, Jackson Howson, Megan Basioli, Mick Pigram, Mindy Mitchell, Michelle Ross-Goutorbe, and Tommy Quick.

You can see a selection of Jarrad's images from the series below. 

After finding a lump in 2017, Amanda was told she had breast cancer. It was recommended that she undergo a mastectomy. She later made the difficult decision to undergo a prophylactic mastectomy on her right breast as a preventative measure. Her initial reactions to the surgery were feelings of grief and loss, but time has helped shift perspectives a little. “For me, my breasts were a sign of my femininity and part of my sexuality that I had to let go. However, I realised that those parts of me weren’t really gone with the surgery. It’s more about me and who I am and how I interact with my partner that gives me a sense of femininity and beauty.
After finding a lump in 2017, Amanda was told she had breast cancer. It was recommended that she undergo a mastectomy. She later made the difficult decision to undergo a prophylactic mastectomy on her right breast as a preventative measure. Her initial reactions to the surgery were feelings of grief and loss, but time has helped shift perspectives a little. “For me, my breasts were a sign of my femininity and part of my sexuality that I had to let go. However, I realised that those parts of me weren’t really gone with the surgery. It’s more about me and who I am and how I interact with my partner that gives me a sense of femininity and beauty." Her scars are a reminder of what she is capable of. Image shot on Canon EOS R5 with RF 28-70mm f/2L lens, 1/160 at f2.8, ISO 1600
In 1992, Brad Ness lost his foot in a ferry accident. He turned to wheelchair basketball as a way to involve himself in sport and get on with life - a journey that has seen him represent Australia in five Paralympic Games. To Brad, his scar represents achievement and resilience. “A lot of people out face adversity in different times and shapes and forms. I really hope people see this, and see the scar, and know that even if something does happen and you’re dealt some bad cards - you can always moving on and achieve things in life. It doesn’t have to stop there at all.” Image shot on Canon EOS R5 with RF 70-200mm f/2.8L IS USM lens, 1/200 at f2.8, ISO 200.
In 1992, Brad Ness lost his foot in a ferry accident. He turned to wheelchair basketball as a way to involve himself in sport and get on with life - a journey that has seen him represent Australia in five Paralympic Games. To Brad, his scar represents achievement and resilience. “A lot of people out face adversity in different times and shapes and forms. I really hope people see this, and see the scar, and know that even if something does happen and you’re dealt some bad cards - you can always moving on and achieve things in life. It doesn’t have to stop there at all.” Image shot on Canon EOS R5 with RF 70-200mm f/2.8L IS USM lens, 1/200 at f2.8, ISO 200.
Brian Bush’s fascination with reptiles began with little lizards in the backyard - now it’s his livelihood, educating people on snakes, submitting research, and writing books. He’s been bitten dozens of times, but one experience stands out - the time a 1.6 metre King Brown grabbed a hold of him, the venom and pressure immobilisation causing significant tissue destruction to his pointer finger. “People think I’m an idiot, but I was happy because it gave me the opportunity to document the whole bite. Imagine talking about snake bites if I’d never experienced a snake bite. I love that finger; I love the battle scars. These are signs of living.” Image shot on Canon EOS R5 with RF 70-200mm f/2.8L IS USM lens, 1/200 at f4, ISO 125.
Brian Bush’s fascination with reptiles began with little lizards in the backyard - now it’s his livelihood, educating people on snakes, submitting research, and writing books. He’s been bitten dozens of times, but one experience stands out - the time a 1.6 metre King Brown grabbed a hold of him, the venom and pressure immobilisation causing significant tissue destruction to his pointer finger. “People think I’m an idiot, but I was happy because it gave me the opportunity to document the whole bite. Imagine talking about snake bites if I’d never experienced a snake bite. I love that finger; I love the battle scars. These are signs of living.” Image shot on Canon EOS R5 with RF 70-200mm f/2.8L IS USM lens, 1/200 at f4, ISO 125.
Esther Onek. Esther was born in a small village in South Sudan. At the age of three, she burned all her fingers on both hands after falling into an open cooking fire in a refugee camp. After spending seven years there, Esther and her family arrived in Australia, unable to speak English. She went on to obtain a Bachelor of Social Work, gave a TEDx talk and inspired thousands by telling her story of determination and courage through adversity. “People used to say my smile was my best feature - but my hands are. When I was younger, I used to wear long sleeves all the time. But now I’m showing them off because they’re who I am. Without them, I wouldn't have that resilience or strength. Every time I go through something difficult, I look at my hands. I’m like, look how far you’ve come.” Image shot on Canon EOS R5 with RF 85mm f/1.2L USM lens, 1/500 at f1.4, ISO 100
Esther Onek. Esther was born in a small village in South Sudan. At the age of three, she burned all her fingers on both hands after falling into an open cooking fire in a refugee camp. After spending seven years there, Esther and her family arrived in Australia, unable to speak English. She went on to obtain a Bachelor of Social Work, gave a TEDx talk and inspired thousands by telling her story of determination and courage through adversity. “People used to say my smile was my best feature - but my hands are. When I was younger, I used to wear long sleeves all the time. But now I’m showing them off because they’re who I am. Without them, I wouldn't have that resilience or strength. Every time I go through something difficult, I look at my hands. I’m like, look how far you’ve come.” Image shot on Canon EOS R5 with RF 85mm f/1.2L USM lens, 1/500 at f1.4, ISO 100
Megan Basioli was only 15 when the explosions went off at the Sari Club in Bali. She woke up covered in rubble and amongst absolute chaos. While the burn scars on her arms are painful reminders of this tragic day, they now also represent to her resilience, strength, and family. The care she received in hospital every day, inspired her to pursue a career in the Emergency Department at Royal Perth Hospital. “I never hide away from showing my scars anymore. I’m kind of proud of them, I guess.” Image shot on Canon EOS R5 with RF 28-70mm f/2L USM lens, 1/80s at f4, ISO 1250.
Megan Basioli was only 15 when the explosions went off at the Sari Club in Bali. She woke up covered in rubble and amongst absolute chaos. While the burn scars on her arms are painful reminders of this tragic day, they now also represent to her resilience, strength, and family. The care she received in hospital every day, inspired her to pursue a career in the Emergency Department at Royal Perth Hospital. “I never hide away from showing my scars anymore. I’m kind of proud of them, I guess.” Image shot on Canon EOS R5 with RF 28-70mm f/2L USM lens, 1/80s at f4, ISO 1250.
While Michelle Powell still bears the scars and trauma resulting from violence in a previous marriage, she now uses her experience to run 'Empower Her' - a program that helps women going through similar experiences to rebuild and recover. “The scar used to ignite negative emotions and bring me to tears most days. You jump out the shower and see it in the mirror every day. But now I practice looking at the wound as a positive in my life and allowing the trauma I felt to actually give me strength to keep moving, to power through, to launch my movement and know that If I can get this far, I can help other women move on from their past as well.” Image shot on Canon EOS R5 with RF 28-70mm f/2L USM lens, 1/200 at f2, ISO 250
While Michelle Powell still bears the scars and trauma resulting from violence in a previous marriage, she now uses her experience to run 'Empower Her' - a program that helps women going through similar experiences to rebuild and recover. “The scar used to ignite negative emotions and bring me to tears most days. You jump out the shower and see it in the mirror every day. But now I practice looking at the wound as a positive in my life and allowing the trauma I felt to actually give me strength to keep moving, to power through, to launch my movement and know that If I can get this far, I can help other women move on from their past as well.” Image shot on Canon EOS R5 with RF 28-70mm f/2L USM lens, 1/200 at f2, ISO 250
Mick Pigram is a youth mentor born and bred in Broome, Western Australia. The Lynch Syndrome genetic condition has existed in his family for several generations, which led to bowel cancer at the age of 29. His scar from the surgery represents life, survival and a reminder to live life for the now. “As my dad would say in one of his songs, you’ve got to live life to the full, with a belly laugh and a cry.” Image shot on Canon EOS R5 with RF 70-200mm f/2.8L IS USM lens, 1/2000 at f2.8, ISO 100
Mick Pigram is a youth mentor born and bred in Broome, Western Australia. The Lynch Syndrome genetic condition has existed in his family for several generations, which led to bowel cancer at the age of 29. His scar from the surgery represents life, survival and a reminder to live life for the now. “As my dad would say in one of his songs, you’ve got to live life to the full, with a belly laugh and a cry.” Image shot on Canon EOS R5 with RF 70-200mm f/2.8L IS USM lens, 1/2000 at f2.8, ISO 100
Michele Ross-Goutorbe and Mindy Mitchell. From hospital beds on opposite sides of the world, mother and daughter Michelle and Mindy would FaceTime each other and compare hospital food while recovering from cancer surgeries and chemotherapy. Mindy has undergone surgery relating to bowel cancer, while her mother Michelle has survived through bladder, uterus, breast and bowel cancer. When Mindy looks at her mums scars, she thinks about the bravery she has shown in battling five different cancers. “It makes me see how strong Mum is. She’s such a trooper. If gives me a lot of hope that if she can do it, I can do it too.” Image shot on Canon EOS R5 with RF 70-200mm f/2.8L IS USM lens, 1/400 at f3.2, ISO 400
Michele Ross-Goutorbe and Mindy Mitchell. From hospital beds on opposite sides of the world, mother and daughter Michelle and Mindy would FaceTime each other and compare hospital food while recovering from cancer surgeries and chemotherapy. Mindy has undergone surgery relating to bowel cancer, while her mother Michelle has survived through bladder, uterus, breast and bowel cancer. When Mindy looks at her mums scars, she thinks about the bravery she has shown in battling five different cancers. “It makes me see how strong Mum is. She’s such a trooper. If gives me a lot of hope that if she can do it, I can do it too.” Image shot on Canon EOS R5 with RF 70-200mm f/2.8L IS USM lens, 1/400 at f3.2, ISO 400
Tommy Quick was only 12 when he experienced a stroke. His road to recovery has been long and challenging, having to learn how to do walk, talk, swallow and lift his head again. Now, he’s making his way 9000km across Australia on a recumbent trike to inspire others and raise awareness and funds for the Stroke Foundation. Image shot on Canon EOS R5 with 50mm f/1.2L USM lens, 1/8000 at f1.2, ISO 100
Tommy Quick was only 12 when he experienced a stroke. His road to recovery has been long and challenging, having to learn how to do walk, talk, swallow and lift his head again. Now, he’s making his way 9000km across Australia on a recumbent trike to inspire others and raise awareness and funds for the Stroke Foundation. Image shot on Canon EOS R5 with 50mm f/1.2L USM lens, 1/8000 at f1.2, ISO 100

 You can find out more about Jarrad's project at canon.com.au.

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