The winners of the Natural History Museum’s prestigious Wildlife Photographer of the Year competition been announced for 2022.
American photographer Karine Aigner has won this year’s overall Wildlife Photographer of the Year for her remarkable image of a buzzing ball of cactus bees spinning over the hot sand on a Texas ranch.
In her bee-level close-up, all except one are males and they are intent on mating with the single female at the centre.
The big buzz by Karine Aigner, USA. Winner, Behaviour: Invertebrates. Karine Aigner gets close to the action as a group of bees compete to mate. Using a macro lens, Karine captured the flurry of activity as a buzzing ball of cactus bees spun over the hot sand. After a few minutes, the pair at its centre – a male clinging to the only female in the scrum – flew away to mate. The world’s bees are under threat from habitat loss, pesticides and climate change. With 70% of bee species nesting underground, it is increasingly important that areas of natural soil are left undisturbed. Location: South Texas, USA. Sony α7R III + Laowa 24mm f14 2x macro probe lens; 1/1000 sec; ISO 6400; Profoto strobe + wireless trigger.
Karine is only the fifth woman in the competition’s fifty-eight-year history to be awarded the Grand Title award.
Chair of the jury, writer and editor, Rosamund ‘Roz’ Kidman Cox OBE says, ‘Wings-whirring, incoming males home in on the ball of buzzing bees that is rolling straight into the picture. The sense of movement and intensity is shown at bee-level magnification and transforms what are little cactus bees into big competitors for a single female."
More than 38,000 entries from 93 countries were received in the annual competition. Of these, the final category winners were narrowed down to just 19 images. With two, Karine Aigner and sixteen-year-old Katanyou Wuttichaitanakorn, taking out the Grand Prize Awards.
The title of Young Wildlife Photographer of the Year 2022 went to sixteen-year-old Katanyou Wuttichaitanakorn from Thailand for his image The beauty of baleen.
The beauty of baleen by Katanyou Wuttichaitanakorn, Thailand. Winner, 15-17 Years. Katanyou Wuttichaitanakorn is intrigued by the contrasting colours and textures of a Bryde’s whale, which surfaces close by. Following government tourism guidelines, the tour boat Katanyou was travelling on turned off its engine as the whale appeared close by. This meant that Katanyou had to steady his hands to capture this close-up composition as the boat rocked in the swell. Bryde’s whales have up to 370 pairs of grey-coloured plates of baleen growing inside their upper jaws. The plates are made of keratin, a protein that also forms human hair and nails, and are used to filter small prey from the ocean. Location: Upper Gulf of Thailand, Phetchaburi, Thailand. Canon EOS 90D + Sigma 150–600mm f5–6.3 lens; 1/6400 sec at f6.3 (-1 e/v); ISO 640.
Like other baleen whales, Bryde’s use a technique known as lunge-feeding to capture large numbers of small schooling fish and use the plates of baleen to filter the small prey from the ocean.
You can see all the other category winners below.
Out of the fog by Ismael Domínguez Gutiérrez, Spain Winner, 11-14 Years. Ismael Domínguez Gutiérrez reveals a monochromatic scene as an osprey sits on a dead tree, waiting for the fog to lift. When Ismael arrived at the wetland, he was disappointed not to be able to see beyond a few metres – and certainly he had no hope of glimpsing the grebes he wanted to photograph. But as the fog began to lift, it revealed the opportunity for this striking composition. Ospreys are winter visitors to the province of Andalucía. Here the many reservoirs offer these widespread fish‑eating raptors shallow, open water that is clearer than many rivers and lakes. Location: Embalse de Los Hurones, Cádiz, Spain. Canon EOS 7D Mark II + Tamron 100–400mm f4.5–6.3 lens; 1/8000 sec at f6.3; ISO 800; Fancier tripodPuff perfect by José Juan Hernández Martinez, Spain. Winner, Animal Portraits. José Juan Hernández Martinez witnesses the dizzying courtship display of a Canary Islands houbara. José arrived at the houbara’s courtship site at night. By the light of the moon, he dug himself a low hide. From this vantage point he caught the bird’s full puffed-out profile as it took a brief rest from its frenzied performance. A Canary Islands houbara male returns annually to its courtship site to perform impressive displays. Raising the plumes from the front of its neck and throwing its head back, it will race forward before circling back, resting just seconds before starting again. Location: La Oliva, Fuerteventura, Spain. Nikon D3S + Sigma 150–600mm f5–6.3 lens at 600mm; 1/1000 sec at f6.3; ISO 800; Manfrotto tripod + Benro head.Heavenly flamingos by Junji Takasago, Japan. Winner, Natural Artistry. Junji Takasago powers through altitude sickness to produce a dream-like scene. Junji crept towards the preening group of Chilean flamingos. Framing their choreography within the reflected clouds, he fought back his altitude sickness to capture this dream-like scene. High in the Andes, Salar de Uyuni is the world’s largest salt pan. It is also one of Bolivia’s largest lithium mines, which threatens the future of these flamingos. Lithium is used in batteries for phones and laptops. Together we can help decrease demand by recycling old electronics. Location: Salar de Uyuni, Daniel Campos Province, Bolivia. Nikon Z7 + 80–400mm f4–5.6 lens at 400mm; 1/3200 sec at f10 (+0.7 e/v); ISO 800.‘The Cuban connection' by Karine Aigner, USA. Winner, Photojournalist Story Award. ‘Why the caged bird sings’ A Cuban bullfinch is positioned alongside a road so that it becomes accustomed to the hubbub of street life and therefore less likely to be distracted during a competition. These birds are highly prized for their sweet voice and feisty spirit. Sony α6500 + 16–70mm f4 lens at 16mm; 1/4000 sec at f5.6; ISO 800.Under Antarctic ice’ by Laurent Ballesta, France. Winner, Portfolio Award. ‘Pyramid of life’ Living towers of marine invertebrates punctuate the seabed off Adelie Land, 32 metres (105 feet) under East Antarctic ice. Here, at the centre, a tree-shaped sponge is draped with life, from giant ribbon worms to sea stars. Nikon D810 + 13mm f2.8 lens; 1/13 sec at f16; ISO 800; Seacam housing; 2x Seacam strobes.‘A theatre of birds’ by Mateusz Piesiak, Poland Winner, Rising Star Portfolio Award. ‘Dunlin panorama‘ Placing his remote camera on the mud of the reed bed, Mateusz seized the opportunity to capture the moment when a passing peregrine falcon caused some of the dunlins to fly up. Canon EOS R + 14–35mm f4 lens at 14mm; 1/1000 sec at f10 (+0.7 e/v); ISO 500; wireless trigger.The listening bird by Nick Kanakis, USA. Winner, Behaviour: Birds. Nick Kanakis gains a glimpse into the secret life of wrens. Nick spotted the young grey-breasted wood wren foraging. Knowing it would disappear into the forest if approached, he found a clear patch of leaf litter and waited. Sure enough, the little bird hopped into the frame, pressing its ear to the ground to listen for small insects. This prey-detecting technique is used by other birds, including the Eurasian blackbird. Grey-breasted wood wrens are ground-dwelling birds, often heard but not seen. They broadcast loud, melodious songs and rasping calls while hidden in the undergrowth. Location: Tatamá National Park, Risaralda, Colombia. Nikon D850 + 500mm f5.6 lens; 1/160 sec at f5.6; ISO 5000.New life for the tohorā by Richard Robinson, New Zealand. Winner, Oceans: The Bigger Picture. Richard Robinson captures a hopeful moment for a population of whales that has survived against all odds. Hindered by poor visibility, Richard used a polecam to photograph the whales gradually moving towards his boat. Pushing his camera to its limits in the dark water, he was relieved to find the image pin-sharp and the moment of copulation crystallised in time. When ready to mate, the female southern right whale rolls onto its back, requiring the male to reach its penis across the female’s body. Known by the Māori as tohorā, the New Zealand population was hunted to near extinction in the 1800s, so every new calf offers new hope. Shot under New Zealand Department of Conservation permit #84845-MAR Location: Deas Head, Auckland Islands, New Zealand. Canon EOS 5DS R + 8–15mm f4 lens at 15mm; 1/640 sec at f4; ISO 1600; Aquatica housing.Shooting star by Tony Wu, USA/Japan. Winner, Underwater. Tony Wu watches the electrifying reproductive dance of a giant sea star. As the surrounding water filled with sperm and eggs from spawning sea stars, Tony faced several challenges. Stuck in a small, enclosed bay with only a macro lens for photographing small subjects, he backed up to squeeze the undulating sea star into his field of view, in this galaxy-like scene. The ‘dancing’ posture of spawning sea stars rising and swaying may help release eggs and sperm, or may help sweep the eggs and sperm into the currents where they fertilise together in the water. Location: Kinko Bay, Kagoshima Prefecture, Japan. Nikon D850 + 105mm f2.8 lens; 1/250 sec at f18; ISO 320; Nauticam housing; Backscatter Mini Flash 1 + Inon S2000 + Z240 strobes; RGBlue compact tripod.The magical morels by Agorastos Papatsanis, Greece Winner, Plants and Fungi. Agorastos Papatsanis composes a fairy tale scene in the forests of Mount Olympus. Enjoying the interplay between fungi and fairy tales, Agorastos wanted to create a magical scene. He waited for the sun to filter through the trees and light the water in the background, then used a wide-angle lens and flashes to highlight the morels’ labyrinthine forms. Morels are regarded as gastronomic treasures in many parts of the world because they are difficult to cultivate, yet in some forests they flourish naturally. Location: Mount Olympus, Pieria, Greece. Nikon D810 + Laowa 15mm f4 lens + polarising filter; 0.8 sec at f20; ISO 200; 2x Godox V1-N flashes; Godox XPro-N wireless trigger; Leofoto tripod.The great cliff chase by Anand Nambiar, India. Winner, Behaviour: Mammals. Anand Nambiar captures an unusual perspective of a snow leopard charging a herd of Himalayan ibex towards a steep edge. From a vantage point across the ravine, Anand watched the snow leopard manoeuvre uphill from the herd. It was perfectly suited for the environment – unlike Anand, who followed a fitness regime in preparation for the high altitude and cold temperatures. Snow leopards live in some of the most extreme habitats in the world. They are now classed as vulnerable. Threats include climate change, mining, and hunting of both the snow leopards and their prey. Location: Kibber Wildlife Sanctuary, Himachal Pradesh, India. Nikon D500 + 200–500mm f5.6 lens at 500mm; 1/1600 sec at f18; ISO 400.Ndakasi’s passing by Brent Stirton, South Africa. Winner, Photojournalism. Brent Stirton shares the closing chapter of the story of a much-loved mountain gorilla. Brent photographed Ndakasi’s rescue as a two-month-old after her troop was brutally killed by a powerful charcoal mafia as a threat to park rangers. Here he memorialised her passing as she lay in the arms of her rescuer and caregiver of 13 years, ranger Andre Bauma. As a result of unrelenting conservation efforts focusing on the daily protection of individual gorillas, mountain gorilla numbers have quadrupled to over 1,000 in the last 40 years. Location: Senkwekwe Center, Virunga National Park, Democratic Republic of the Congo. Canon EOS R5 + 24–70mm 2.8 lens; 1/160 sec at f2.8; ISO 3200.Spectacled bear’s slim outlook by Daniel Mideros, Ecuador. Winner, Animals in their Environment. Daniel Mideros takes a poignant portrait of a disappearing habitat and its inhabitant. Daniel set up camera traps along a wildlife corridor used to reach high-altitude plateaus. He positioned the cameras to show the disappearing natural landscape with the bear framed at the heart of the image. These bears, found from western Venezuela to Bolivia, have suffered massive declines as the result of habitat fragmentation and loss. Around the world, as humans continue to build and farm, space for wildlife is increasingly squeezed out. Location: Peñas Blancas, Quito, Ecuador. Canon 7D Mark II + 18–55mm f3.5 lens; 1/160 sec at f14; ISO 400; 2x Nikon SB-28 flashes; Camtraptions camera-trap system.The dying lake by Daniel Núñez, Guetamala. Winner, Wetlands - The Bigger Picture. Daniel Núñez uses a drone to capture the contrast between the forest and the algal growth on Lake Amatitlán. Daniel took this photograph to raise awareness of the impact of contamination on Lake Amatitlán, which takes in around 75,000 tonnes of waste from Guatemala City every year. ‘It was a sunny day with perfect conditions,’ he says, ‘but it is a sad and shocking moment.’ Cyanobacteria flourishes in the presence of pollutants such as sewage and agricultural fertilisers forming algal blooms. Efforts to restore the Amatitlán wetland are underway but have been hampered by a lack of funding and allegations of political corruption. Location: Lake Amatitlán, Villa Canales, Guatemala. DJI Mavic Mini 2 + 24mm f2.8 lens; 1/60 sec at f2.8; ISO 100.House of bears by Dmitry Kokh, Russia. Winner, Urban Wildlife. Dmitry Kokh presents this haunting scene of polar bears shrouded in fog at the long-deserted settlement on Kolyuchin. On a yacht, seeking shelter from a storm, Dmitry spotted the polar bears roaming among the buildings of the long-deserted settlement. As they explored every window and door, Dmitry used a low-noise drone to take a picture that conjures up a post-apocalyptic future. In the Chukchi Sea region, the normally solitary bears usually migrate further north in the summer, following the retreating sea ice they depend on for hunting seals, their main food. If loose pack ice stays near the coast of this rocky island, bears sometimes investigate. Location: Kolyuchin Island, Chukotka, Russia. DJI Mavic 2 Pro + Hasselblad L1D-20c + 28mm f2.8 lens; 1/160 sec at f2.8; ISO 640.Young Wildlife Photographer of the Year. Battle stations by Ekaterina Bee, Italy. Winner, 10 Years and Under. Ekaterina Bee watches as two Alpine ibex spar for supremacy. It was near the end of a spring day trip with her family that Ekaterina spotted the fight. The two ibex clashed horns and continued to trade blows while standing on their hind legs like boxers in a ring. In the early 1800s, following centuries of hunting, fewer than 100 Alpine ibex survived in the mountains on the Italy–France border. Successful conservation measures mean that, today, there are more than 50,000. Location: Pian della Mussa, Piedmont, Italy. Nikon D5600 + 18–55mm f3.5–5.6 lens; 1/320 sec at f9; ISO 100.The bat-snatcher by Fernando Constantino Martínez Belmar, Mexico. Winner, Behaviour: Amphibians and Reptiles. Fernando Constantino Martínez Belmar waits in darkness as a Yucatan rat snake snaps up a bat. Using a red light to which both bats and snakes are less sensitive, Fernando kept an eye on this Yucatan rat snake poking out of a crack. He had just seconds to get the shot as the rat snake retreated into its crevice with its bat prey. Every evening at sundown in the Cave of the Hanging Snakes, thousands of bats leave for the night’s feeding. It is also when hungry rat snakes emerge, dangling from the roof to snatch their prey in mid-air. Location: Kantemo, Quintana Roo, Mexico. Nikon D800 + 105mm f2.8 lens; 1/200 at f9; ISO 125; Nikon SB-700 flash; red flashlight.
The exhibition of winning images opens in London this week, before touring across the UK and internationally to venues in Australia, Canada, Denmark, France, Germany, New Zealand, and more, while the fifty-ninth Wildlife Photographer of the Year competition will open for entries on Monday 17 October 2022.
