A great before and after workflow video that will have you turning out great looking images quick.

Local photographer Yan Zhang has been exploring some of the Blue Mountains' far-flung reaches to uncover a hidden world of cliffs and canyons.

Create the cheapest kind of studio portraits at home, using just a garage, backdrop and a camera.

If you've ever struggled to photograph in busy, overwhelming forests, this video should help.

Local photographer Yan Zhang has been exploring some of the Blue Mountains' far-flung reaches to uncover a hidden world of beautiful forests and stunning waterfalls.

Our image doctors bring five new images into the operating theatre.

There comes a time in every photographer’s life when they will weigh up the possibility of turning their passion behind the lens into a career. But how do you make the jump, and how do you deal with people telling you to ‘get a real job’?

In part two of our series on photographing the outback, Paula Heelan looks at the time of day, the landscapes, and the gear you'll need on your trip.

Craig Andrew Madsen shares the story of his life-changing and life-consuming project from the last year, Te Ata Pūao.

Make the most of your next Outback adventure with these photo tips.

Nailing your composition is just as important as perfecting your camera-craft, and in this great video tutorial, you'll pick up a few tips for perfecting your framing next time you shoot.

Whether you're photographing a restaurant dish or something you've just cooked at home, there are some simple tricks of the trade you can use to capture professional looking images.

Steve and Ann Toon look at the editing stage of their Black and White photographs in the third part of the series.

In this excellent video by Nigel Danson, he looks at five common mistakes photographers make with wide-angle lenses and how to avoid them.

In part two of our special feature on black and white wildlife photos, Steve and Ann Toon share a few tips for better backgrounds and smarter use of light.

Dull in grey? No way. Subtract colour to add oomph to your shots, suggest award-winning pro photographers Steve and Ann Toon.