Making an effect "in-camera" can often be challenging, both for the photographer and model... and that is why Photoshop can often be a better option.

The dodge tool was a simple device that photographers used in the darkroom to lighten faces in pictures. These days we can do the same thing - more easily - with software.

The challenge with any new equipment is to learn the boundaries that the gear works well in, and how to stretch those margins.

The sole job of a camera is to get a scene onto a canvas... and you should be thinking of that canvas from the moment you look through the viewfinder.

Why is it that we have to dot our "i"s and cross our "t"s? Is it so that they do not distract from the bigger story?

There is nothing wrong with revisiting old ideas... so long as you are prepared to bring your own interpretation to them.

Don't just let a photo effect program override your photo... you need to take some control too!

One detail in this photograph is spoiling the rest of the picture... can you see what it is?

Hmmm... remind me again someone... what colour is the sky meant to be!?

It's beautiful and I love it all – with the exception of that writing in the corner!!

So... we have a good sky but what about the foreground? Should we send you back to the beach!?

Does this photograph move you? If not... lets add some more movement!

Making portraits outside in the middle of a sunny day is never easy... no matter how young your model's skin is!

Working in confined spaces is a challenge for even the best photographers.

There is not a lot you need to do to improve on an image like this... aside from some simple touches that any photojournalist would apply.

Let me see into the shadows... that is where the beauty lies... honest!